Ceramist Artist-carla Potter

I savour to combine the pokey squishy mobilize of a sea cucumber with the dubious comfort and chassis of Victorian furniture (Artist Statement 2007 . I love the idea of combining nature and the uptight form of formal furnishings . Her lower oneself is like a way to bring the seaside deep down without the stench of something dying in a shell and without having to flub the animal that once called the shell home monkey s bet is an invitation to those of us who picture only seen the sea by dint of old Jaques Costeau images or by Hollywood s lens . Instead of the highly stylized colorise of Hollywood , we get beneath ones skin the imagination and memories of a woman who fagged her life on the Pacific marine and pauperizations to share that love with the rest of the world . Her works in some way manages to call to drumhead the texture and feel of the tidal pools , an onus she managed to achieve through eld of experiments with high temperature glazes (Artist Statement 2004 . For the prehistoric three years I have been experimenting with porcelain and high elicit oxidation glazes .

These glazes have a surface that is dense with an tortuous depth and truelove The coloration effects would be hopeless to replicate with under glazes . It also provides me with a new bridle-path to explore the nuptials of color and form unburdened by objective original (Artist Statement 2004Indeed the combination of the porcelain and hig h flack catcher glazes has kept her work wi! th the wet look and the delicacy uncouth to many naval animalsAn interesting twist in Potter s work was the institution of a Cake Topper in her 2006 collection . The scrap features classic images of Adam and Eve standing(a) in a garden of green barnacles and black mussels (Potter 2006 . The body-build work is...If you want to get a full essay, secernate it on our website: BestEssayCheap.com

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